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Mercy / Jodi Picoult.
Cameron McDonald has spent his life guided by duty. As the police chief of a small Massachusetts town that has been home to generations of his Scottish clan, he is bound to the town's residents by blood and honor. Yet when his cousin Jamie arrives at the police station with the body of his wife and the bald confession that he has killed her, Cam immediately places him under arrest. The situation isn't as clear to Cam's wife, Allie. While she is devoted to her husband, she finds herself siding against Cam, seduced by the picture Jamie paints of a man so in love with a woman that he'd grant all her wishes - even the one that meant taking her life. Into this charged atmosphere drifts Mia, a new assistant at Allie's florist shop, for whom Cam feels an instant and inexplicable attraction. While he aids the prosecution in preparing the case against Jamie, who killed his terminally ill wife out of mercy, Cam finds himself betraying his own wife.
Record details
- ISBN: 9780399141607 (acid-free paper)
- ISBN: 039914160X (acid-free paper)
- Physical Description: 353 p. ; 24 cm.
- Publisher: New York : G.P. Putnam's, c1996.
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| Genre: | Domestic fiction. Legal stories. |
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- Kirkus Reviews : Kirkus Reviews 1996 June
~ Despite kilt-wearing characters right out of Brigadoon, Picoult (Picture Perfect, 1995, etc.) persuasively explores a mercy killing in a small Massachusetts town and the subject of spouses who love too much. Wheelock has been home to the tradition-upholding MacDonalds and their hereditary chieftains since the 18th century, when the clan fled Scotland after the British defeated them in battle. Each clan chief has inherited more responsibilities over time, and the current laird Cam MacDonald is, like his father before him, the local chief of police. Cam yearns to travel and, though married, finds wife Allie's devotion stifling. Allie, a florist, has in turn suppressed all of her own opinions and pleasures for the sake of making Cam, whom she adores, happy. As the story begins, another MacDonald, James, has demonstrated his overwhelming love for wife Maggie in a very extreme form: James turns himself in to cousin Cam after admitting that he has smothered Maggie at her request because she was terminally ill with cancer and could no longer stand the pain. While the quality and wisdom of James's devotion to his wife will be tried in public, Allie's love for Cam will also be tested as free spirit Mia arrives in town. Mia has been everywhere and seen all the places Cam dreams of; she is also a whiz with flowers and gets immediately hired by Allie. While Allie helps James's lawyer find witnesses who will attest to his devotion to Maggie (he's now being tried for murder), Cam and Mia have an affair. A heartsick Allie learns of it, throws Cam out, sells all of his belongings, and then tries to forget him. But true love is resilient, and Allie, like James, having learned the price of being ``the one who loves more,'' will now try for greater balance. Overly predictable characters aside, Picoult does manage this time to bring trendy, headline-grabbing themes to life. (Literary Guild alternate selection) Copyright 1999 Kirkus Reviews - Publishers Weekly Reviews : PW Reviews 1996 June #4
What could have been a competent, topical novel about a mercy killing becomes, in Picoult's (following Picture Perfect, 1995) hands, an inspired meditation on love. The setting is Wheelock, Mass., a slightly eccentric town where most of the residents are of Scottish descent, where weddings end in a blood vow, the name MacDonald is "painted on an alarming number of mailboxes" and police chief Cameron MacDonald doubles as clan chief and protector. On a seemingly ordinary day in Wheelock, Jamie MacDonald, a cousin of Cameron's, drives to the police station and announces: "My wife here, Maggie, is dead, and I'm the one who killed her." Cam finds himself saddled with a murder case and a conflict of interest: his cousin has given in to the pleas of his cancer-ravaged wife to kill her, and he's come to the clan chief to confess. But as police chief, Cam must also prosecute. On the same day, Cam's wife, Allie, the local florist, hires Mia, a violet-eyed beauty with a genius for flower arranging. Allie gets involved in Jamie's case, and Cam, who has spent his life in service to his community and his clan, falls in love with Mia and begins an affair that will bring his marriage to the breaking point and change it profoundly. Like Jamie, Allie is the marriage partner who loves more. "It's never fifty-fifty," says Jamie. As Jamie's court case proceeds, Picoult plumbs the emotional core of both marriages. The pace of the trial is slow, but Picoult pays loving attention to her central characters, fashioning a sensitive exploration of the balance of love. (Aug.) Copyright 1996 Cahners Business Information.
